Reinhard Mucha
Kasse beim Fahrer
Monika Sprüth and Philomene Magers are pleased to announce Reinhard Mucha’s exhibition Kasse beim Fahrer at the Berlin gallery, where Mucha’s eponymous, spacious installation Kasse beim Fahrer 0.2, [2022] 1987 (Buy Ticket from Driver 0.2) not only transforms the space into a fairground, but also addresses the core topic of exhibiting and displaying in a special way.

Reinhard Mucha, Kasse beim Fahrer, Installation view, Sprüth Magers, Berlin, November 26, 2022–March 25, 2023 © muchaArchive / VG Bild-Kunst, Bonn 2022. Courtesy the artist and Sprüth Magers. Photo: Jochen Arentzen

Reinhard Mucha, Kasse beim Fahrer 0.2, [2022] 1987 (detail) © muchaArchive / VG Bild-Kunst, Bonn 2022. Courtesy the artist and Sprüth Magers. Photo: Jochen Arentzen

Reinhard Mucha, Die Deutsche Frage / Dornap, Für Philip Nelson, 2007 © muchaArchive / VG Bild-Kunst, Bonn 2022. Courtesy the artist and Sprüth Magers. Photo: Jochen Arentzen
Thomas Ruff
d.o.pe.
Monika Sprüth and Philomene Magers are delighted to announce Thomas Ruff’s d.o.pe., a solo exhibition at the Berlin gallery. The featured, eponymous series of new works is the first to find Ruff using large wall tapestries as a textile carrier for his images. Featuring fractal patterns the tapestries reflect Ruff’s long-standing interest in the beauty and visualization of complex mathematical phenomena. The title of the series refers to Aldous Huxley’s The Doors ofPerception, a 1954 essay describing the British philosopher’s experiments with mind-altering drugs and the consciousness- expanding potential of artificial sensory impressions. The psychedelic imagery in d.o.pe. continues Ruff’s ongoing exploration of human perception, specifically as it relates to both real and constructed reality.


Thomas Ruff, d.o.pe., Installation view, Sprüth Magers, Berlin, November 26, 2022–January 31, 2023
Thomas Scheibitz
Satellitensaal
Monika Sprüth and Philomene Magers are pleased to announce Satellitensaal, a solo exhibition of works by Thomas Scheibitz at Sprüth Magers Window in Berlin. Its title is a neologism that—as so often with Scheibitz—stands for apparently irreconcilable concepts and things that are nevertheless held together at a poetic or artistic level.

Thomas Scheibitz, Satellitensaal, Installation view, Sprüth Magers Window, Berlin. September 16–October 29, 2022. Photo: Timo Ohler

Thomas Scheibitz, Satellitensaal, Installation view, Sprüth Magers Window, Berlin. September 16–October 29, 2022. Photo: Timo Ohler

Thomas Scheibitz, Satellitensaal, Installation view, Sprüth Magers Window, Berlin. September 16–October 29, 2022. Photo: Timo Ohler

Thomas Scheibitz, Satellitensaal, Installation view, Sprüth Magers Window, Berlin. September 16–October 29, 2022. Photo: Timo Ohler