Markus Lüpertz
Markus Lüpertz Oder die Überwindung der Moderne
1 MAY until 27 JUN 2026
Opening – 1 MAY 2026, 6-9 pm
Markus Lüpertz,
Haus der Athene, 2025.
Mixed media on canvas,
160 x 200 cm / 63 x 78 ¾ in.
© VG Bild-Kunst Bonn, 2026.
Photo: Jens Ziehe, Berlin
Galerie Michael Werner celebrates Markus Lüpertz’s 85th birthday with a jubilee exhibition. The presentation brings together recent paintings, in which Lüpertz deepens his engagement with mythological motifs and figural gesture, consolidating them within a rigorously defined and autonomous pictorial structure. The collaboration between Michael Werner and Markus Lüpertz spans nearly six decades. Artist and gallerist first met in 1964 and in 1968, Lüpertz held his first Berlin exhibition at Michael Werner’s gallery on Kantstraße. Since then, the gallery has upheld a continuous and dedicated commitment to his oeuvre.
Markus Lüpertz,
Badender, 2025.
Mixed media on canvas,
100 x 80 cm / 39 ¼ x 31 ½ in.
© VG Bild-Kunst Bonn, 2026.
Photo: Jens Ziehe, Berlin
Markus Lüpertz,
Urne, 2025.
Mixed media on canvas,
100 x 80 cm / 39 ¼ x 31 ½ in.
© VG Bild-Kunst Bonn, 2026.
Photo: Jens Ziehe, Berlin
The exhibition title Die Überwindung der Moderne (The Overcoming of Modernism) suggests a programmatic core of Lüpertz’s artistic stance: the persistent interrogation of painting itself. He moves beyond the linear conceptions of modernism, critically realigning their inherent dichotomies. For the artist, “Überwindung” does not imply a rejection of modernism, but rather a sustained engagement with its central concepts and aesthetic concerns. Historical painterly traditions are not merely cited but act as operative elements within a self-determined pictorial order, with mythological motifs serving as a constant point of reference. Past and present exist beyond hierarchy, coexisting and converging into novel layers of perception.
Markus Lüpertz,
Helm und Schädel, 2025.
Mixed media on canvas,
100 x 80 cm / 39 ¼ x 31 ½ in.
© VG Bild-Kunst Bonn, 2026.
Photo: Jens Ziehe, Berlin
Within the context of postwar German art, Markus Lüpertz occupies a singular position. His painting asserts the independence of the image, conceives form as an open and evolving process, and resists fixed stylistic or theoretical classifications. His paintings and drawings can be understood as an ongoing exploration of the possibilities of painterly practice – a reflection on the conditions of modernism that simultaneously transcends them.