Aubrey Levinthal | Biala | Tal R

11 SEP – 10 OCT 2026
Opening – 10 SEP 2026, 6-10 pm

Aubrey Levinthal
Pigeon’s View of the Studio, 2026
oil on panel
45.7 x 35.5 cm

 Courtesy Haverkampf Leistenschneider, Berlin; Photo: Jens Ziehe

 

 

 

 

 

 

Aubrey Levinthal
Summer Mirror with Woman’s Head, 2026
oil on panel
76.3 x 61 cm

 Courtesy Haverkampf Leistenschneider, Berlin; Photo: Jens Ziehe

On the occasion of this year’s Berlin Art Week, Haverkampf Leistenschneider is delighted to realize a cross-generational and transnational exhibition project in Berlin, centered around new works by US painter Aubrey Levinthal (b. 1986). Her most recent paintings are placed in a direct visual and thematic relationship with works by Biala (Janice Biala, 1903–2000) and Tal R (b. 1967), both of whom represent vital reference points and sources of inspiration for Levinthal. The presentation explores how these three distinct generations select their immediate surroundings as a starting point to navigate the boundaries between personal experience and universal narrative. While Aubrey Levinthal captures scenes of everyday life, interiors, and fragments of her personal environment, Tal R similarly distills the private realm—friends, family, and domestic spaces—into his own distinct visual language. Meanwhile, the painter Biala—born Schenehaia Tworkovska, who named herself after her birthplace of Biała Podlaska in Poland—spent her lifetime translating still lifes and private domestic and studio spaces into a timeless, poetic form. She bridges a unique art-historical gap: deeply rooted in the École de Paris and French Post-Impressionism, she simultaneously infused her work with the raw energy and gestural brushwork of the New York School and American Abstract Expressionism.

Janice Biala (1903-2000)
Standing Figure (Girl with Slatbacked chair), 1953
Oil on canvas
101.5 x 63 cm

© 2023 Estate of Janice Biala / Licensed by Artists Rights Society (ARS), NY; Courtesy Berry Campbell, New York.

TAL R  
Mirror, 2015
crayon on pigment and rabbit glue on painted paper
71 x 50 cm

 Courtesy Haverkampf Leistenschneider, Berlin; Photo: Anders Sune Berg

By weaving together a 20th-century painterly position with contemporary figuration, the exhibition fosters a transnational discourse on painting, generating an intimate dialogue on the representation of vulnerability and the passage of time in modern painting.

To date, Biala’s work has been exhibited only once in Berlin, in the 1966 group exhibition “10 Américains de Paris” at the Amerika-Haus Berlin. Although her 1962 painting “Untitled (Three Glasses)” was shown in 2022 at the Museum Barberini in Potsdam as part of the exhibition “The Shape of Freedom: International Abstraction after 1945,” this upcoming exhibition marks her return to Berlin proper after exactly 60 years.