Juan Pablo Echeverri
Works

1 MAY until 6 JUN 2026
Opening – 1 MAY 2026, 6-9 pm

Klemm’s is proud to present Works, a solo exhibition surveying two decades of Juan Pablo Echeverri’s (1978–2022) practice. Spanning the gallery’s two venues, the exhibition explores the vast array of still and moving image-making strategies that define Echeverri’s oeuvre. By providing a portal into his multilayered universe of parody and social critique, the show highlights the precision, variety, and formal consistency of a legacy rooted in the “grid” format and portraiture—used here as a magnifying glass for both the psychological and the social.

Juan Pablo Echeverri,
boYOs, 2009.

25 triangle prints on box frame,
100 x 100 x 100 cm.

Courtesy the Estate of Juan Pablo Echeverri, Bogotá and Klemm’s, Berlin.

A renowned figure in contemporary Colombian art, Echeverri developed his work through clearly demarcated cycles of images. Each series possesses a unique pictorial design and a rigorous, often surprising, formal logic. His visual vocabulary frequently extended beyond the aesthetics of “camp,” adopting an anti-aesthetic approach that challenged established notions of taste.

The performativity of identity is the central theme of Echeverri’s serial works. Using the human body and face—typically his own—as a primary subject, he acted as a collector of personalities. Through their sheer quantity and diversity, these personas demonstrate that both “norm” and “deviation” are merely social constructs.

Juan Pablo Echeverri,
MUTILady, 2003.

9 color photographs,
dimensions variable.

Courtesy the Estate of Juan Pablo Echeverri, Bogotá and Klemm’s, Berlin.

Juan Pablo Echeverri,
Club of the unLoved, 2015.

49 ink jet prints on box frame,
each 31 x 31 x 3 cm.

Courtesy of the artist and Klemm’s, Berlin.

Echeverri’s play with cultural stereotypes masks a deeper intent. His characters oscillate between subtle hints and bold, exaggerated personae, existing in the tension between comedy and existential seriousness. Works highlights this complexity, showcasing the incredible variety of forms that defined his artistic vision.

Over the past three years, Echeverri’s work has undergone a substantial recontextualization, solidifying his legacy as a significant force in contemporary imagemaking. His pieces have been acquired by prominent institutions, including MoMA, the Pinakothek der Moderne in Munich, the Victoria & Albert Museum, Deutsche Börse, and the Museo Reina Sofía in Madrid.

Juan Pablo Echeverri,
Club of the unLoved, 2015.

49 ink jet prints on box frame,
each 31 x 31 x 3 cm.

Courtesy of the artist and Klemm’s, Berlin.