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BUREAU N
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SUTTON PR
Pavlos Amanatidis
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PRESS RELEASE
GALLERY WEEKEND BERLIN 2025_PRESSEMITTEILUNG_DE
GALLERY WEEKEND BERLIN 2025_PRESS RELEASE_EN
PRESS IMAGES 2025
![<p>GALERIE BASTIAN</p>
<p> </p>
<p>Wim Wenders, <em>to be titled</em>, 2019, 2025. Fine Art Inkjet on Museo Max. 71 x 107 cm/ 28 x 42 in. [H x W] Ed. No.: 1/1 + 1 AP [framed] <span class="dig-1hicw9p1_3-10-0 dig-1hicw9p0_3-10-0 dig-ekabin0_3-10-0 dig-Theme-vis2023 dig-Theme-vis2023--dark dig-Mode--dark In-Theme-Provider">© Wenders Images, Courtesy Galerie Bastian</span></p>](https://www.gallery-weekend-berlin.de/files/2025/01/2019-wimwenders-china-01-1024x680.jpg)
GALERIE BASTIAN
Wim Wenders, to be titled, 2019, 2025. Fine Art Inkjet on Museo Max. 71 x 107 cm/ 28 x 42 in. [H x W] Ed. No.: 1/1 + 1 AP [framed] © Wenders Images, Courtesy Galerie Bastian
BAUDACH
Hinako Miyabayashi, A Sign of Indifference, 2024
60,5 x 50 x 2 cm, Öl, Papier, Chaco-Papier, Blattsilber, Insektennetz auf Holz Courtesy die Künstlerin & Galerie Guido W. Baudach, Berlin Fotograf: Takahiro Tsushima, © Hinako Miyabayashi
BQ
Oleg Khvostov, ME MYSELF / CENTRAL RUSSIAN ELEVATED STUPIDITY PROJECT Performance Exhibition: “The Brotherhood of New Blockheads and Photographic Art”, “Anatomy of Contemporary Art in Saint Petersburg” Art Festival Art-kollegiya Gallery, Saint Petersburg 19–20 March 1998. Photo: Alexander Lyashko
GALERIE BUCHHOLZ
Anne Imhof, Romeo, 2025, Öl auf Leinwand / oil on canvas, Courtesy Galerie Buchholz
GALERIE BASTIAN
Wim Wenders, to be titled, 2019, 2025. Fine Art Inkjet on Museo Max. 71 x 107 cm/ 28 x 42 in. [H x W] Ed. No.: 1/1 + 1 AP [framed] © Wenders Images, Courtesy Galerie Bastian
BAUDACH
Hinako Miyabayashi, A Sign of Indifference, 2024
60,5 x 50 x 2 cm, Öl, Papier, Chaco-Papier, Blattsilber, Insektennetz auf Holz Courtesy die Künstlerin & Galerie Guido W. Baudach, Berlin Fotograf: Takahiro Tsushima, © Hinako Miyabayashi
BQ
Oleg Khvostov, ME MYSELF / CENTRAL RUSSIAN ELEVATED STUPIDITY PROJECT Performance Exhibition: “The Brotherhood of New Blockheads and Photographic Art”, “Anatomy of Contemporary Art in Saint Petersburg” Art Festival Art-kollegiya Gallery, Saint Petersburg 19–20 March 1998. Photo: Alexander Lyashko
GALERIE BUCHHOLZ
Anne Imhof, Romeo, 2025, Öl auf Leinwand / oil on canvas, Courtesy Galerie Buchholz
BUCHMANN GALERIE
Tony Cragg, Industrial Nature, 2020, Aluminium
CAPITAIN PETZEL
Monica Bonvicini, Hard Nosed, 2025 Steelapprox. 70 x 36 x 14 cm © Monica Bonvicini und VG Bild-Kunst. Photo: Jens Ziehe
CARLIER GEBAUER
Leonor Serrano Rivas, Allí donde esperamos encontrar flores (1), 2024. Electroformed flowers with metal base.132 x 34 x 34 cm Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo © Jorquera
MEHDI CHOUAKRI
Sylvie Fleury, Precious Rocks (Attract), 2018
Acrylic on canvas
115,9 x 139,1 x 7,6 cm
Courtesy of the artist and Mehdi Chouakri Berlin
BUCHMANN GALERIE
Tony Cragg, Industrial Nature, 2020, Aluminium
CAPITAIN PETZEL
Monica Bonvicini, Hard Nosed, 2025 Steelapprox. 70 x 36 x 14 cm © Monica Bonvicini und VG Bild-Kunst. Photo: Jens Ziehe
CARLIER GEBAUER
Leonor Serrano Rivas, Allí donde esperamos encontrar flores (1), 2024. Electroformed flowers with metal base.132 x 34 x 34 cm Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo © Jorquera
MEHDI CHOUAKRI
Sylvie Fleury, Precious Rocks (Attract), 2018
Acrylic on canvas
115,9 x 139,1 x 7,6 cm
Courtesy of the artist and Mehdi Chouakri Berlin
CRONE
Anthony Goicolea, Fruit Bowl, 2024. Oil, cold wax and sand on raw linen, 203 x 102 cm
CONTEMPORARY FINE ARTS
Tobias Spichtig, Einladungskarte / Invitation card „Taxi zur Kunst“, 2025
Courtesy: Contemporary Fine Arts
CHERTLÜDDE
Álvaro Urbano, Studio details, Berlin, 2025. Photo by Marjorie Brunet Plaza. Courtesy of ChertLüdde, Berlin and Álvaro Urbano, Berlin
DITTRICH & SCHLECHTRIEM
Zuzanna Czebatul, All the Charm of a Rotting Gum, (digital sketch, detail), 2025
Courtesy the artist & DITTRICH & SCHLECHTRIEM, Berlin
CRONE
Anthony Goicolea, Fruit Bowl, 2024. Oil, cold wax and sand on raw linen, 203 x 102 cm
CONTEMPORARY FINE ARTS
Tobias Spichtig, Einladungskarte / Invitation card „Taxi zur Kunst“, 2025
Courtesy: Contemporary Fine Arts
CHERTLÜDDE
Álvaro Urbano, Studio details, Berlin, 2025. Photo by Marjorie Brunet Plaza. Courtesy of ChertLüdde, Berlin and Álvaro Urbano, Berlin
DITTRICH & SCHLECHTRIEM
Zuzanna Czebatul, All the Charm of a Rotting Gum, (digital sketch, detail), 2025
Courtesy the artist & DITTRICH & SCHLECHTRIEM, Berlin
EBENSPERGER
Bonnie Camplin, Jamaica 1, 2016, felttip marker on paper,
Photo: Ludgar Paffrath.
EIGEN + ART
Cihan Çakmak, My sister and I, 2023
Courtesy the artist and EIGEN + ART Lab
KONRAD FISCHER GALERIE
Bernd & Hilla Becher, Haus – Essen, D. 1984 © Estate Bernd & Hilla Becher. Photo: Studio Kukulies
GALERIE FRIESE
Dieter Krieg, Ohne Titel, 1987
Acryl auf Leinwand, 180 x 245 cm
Courtesy Galerie Friese
EBENSPERGER
Bonnie Camplin, Jamaica 1, 2016, felttip marker on paper,
Photo: Ludgar Paffrath.
EIGEN + ART
Cihan Çakmak, My sister and I, 2023
Courtesy the artist and EIGEN + ART Lab
KONRAD FISCHER GALERIE
Bernd & Hilla Becher, Haus – Essen, D. 1984 © Estate Bernd & Hilla Becher. Photo: Studio Kukulies
GALERIE FRIESE
Dieter Krieg, Ohne Titel, 1987
Acryl auf Leinwand, 180 x 245 cm
Courtesy Galerie Friese
GALERIE MICHAEL HAAS
Arnulf Rainer, Orange Übermalung, 1960, oil on canvas in artist frame, 130.8 x 81.2 cm. Photo: Jörg von Bruchhausen
HEIDI
Benjamin Lallier studio, Photographer: Mizuki Tachibana © Benjamin Lallier, 2025. Courtesy of the artist and Heidi, Berlin.
GALERIE MAX HETZLER
Thomas Struth, Tokamak Asdex Upgrade Interior 1, Max Planck IPP, Garching 2010, Chromogenic print, 275,8 x 225,0 cm. © Thomas Struth
GALERIE JUDIN
Camille Bombois, The Red Garter. ca. 1928.
Oil on canvas. 73 × 51 cm. Courtesy Galerie Judin, Berlin. © VG Bild-Kunst, Bonn 2025
GALERIE MICHAEL HAAS
Arnulf Rainer, Orange Übermalung, 1960, oil on canvas in artist frame, 130.8 x 81.2 cm. Photo: Jörg von Bruchhausen
HEIDI
Benjamin Lallier studio, Photographer: Mizuki Tachibana © Benjamin Lallier, 2025. Courtesy of the artist and Heidi, Berlin.
GALERIE MAX HETZLER
Thomas Struth, Tokamak Asdex Upgrade Interior 1, Max Planck IPP, Garching 2010, Chromogenic print, 275,8 x 225,0 cm. © Thomas Struth
GALERIE JUDIN
Camille Bombois, The Red Garter. ca. 1928.
Oil on canvas. 73 × 51 cm. Courtesy Galerie Judin, Berlin. © VG Bild-Kunst, Bonn 2025
KLEMM’S
LeeLee Chan, Hourglass #1, 2020. 8,8 X 14,2 X 11,4 cm, metal part, stainless steel, hardware wheels, shells, concrete and pigment, courtesy of the artist and Klemm’s Berlin
GALERIE NOAH KLINK
Sebastian Jefford, Life cycle of a maggot, 2025.Pen on paper, 43 x 29.7 cm
KOW
Hudinilson Jr.,Narcisse, Exercício de Me Ver II, 1982, documentation of the performance, detail, courtesy of the Estate of Hudinilson Jr. and KOW, Berlin
KRAUPA-TUSKANY ZEIDLER
Klaudia Schifferle, Play The Red Line, 2024, bass guitar, stand, cable, cast, 113 x 33 x 15 cm, unique. Photo credit: Gina Folly
KLEMM’S
LeeLee Chan, Hourglass #1, 2020. 8,8 X 14,2 X 11,4 cm, metal part, stainless steel, hardware wheels, shells, concrete and pigment, courtesy of the artist and Klemm’s Berlin
GALERIE NOAH KLINK
Sebastian Jefford, Life cycle of a maggot, 2025.Pen on paper, 43 x 29.7 cm
KOW
Hudinilson Jr.,Narcisse, Exercício de Me Ver II, 1982, documentation of the performance, detail, courtesy of the Estate of Hudinilson Jr. and KOW, Berlin
KRAUPA-TUSKANY ZEIDLER
Klaudia Schifferle, Play The Red Line, 2024, bass guitar, stand, cable, cast, 113 x 33 x 15 cm, unique. Photo credit: Gina Folly
ALEXANDER LEVY
Noémie Goudal, Inhale, Exhale, film, 8 mins, 2021, courtesy the artist and alexander levy
MEYER RIEGGER
Horst Antes, 2 Häuser, 2024, 60 x 70 cm, acrylic on wood. Photo: Andrea Lensini. Courtesy the artist and Meyer Riegger
MOLITOR
Diane Severin Nguyen, not yet titled “Spring Snow” and not yet titles “Spring Clothes”, 2025. Courtesy the artist and Galerie Molitor, Berlin
NAGEL DRAXLER
Portrait Nadya Tolokonnikova © Pussy Riot
ALEXANDER LEVY
Noémie Goudal, Inhale, Exhale, film, 8 mins, 2021, courtesy the artist and alexander levy
MEYER RIEGGER
Horst Antes, 2 Häuser, 2024, 60 x 70 cm, acrylic on wood. Photo: Andrea Lensini. Courtesy the artist and Meyer Riegger
MOLITOR
Diane Severin Nguyen, not yet titled “Spring Snow” and not yet titles “Spring Clothes”, 2025. Courtesy the artist and Galerie Molitor, Berlin
NAGEL DRAXLER
Portrait Nadya Tolokonnikova © Pussy Riot
NEUGERRIEMSCHNEIDER
Olafur Eliasson, The lure of looking through a polarised window of opportunities, or seeing a surprise before it’s reduced, split, and then further reduced, installation view: neugerriemschneider, Berlin, 2025. Photo: Jens Ziehe. Courtesy of the artist and
neugerriemschneider, Berlin © 2025 Olafur Eliasson
NOME
Danielle Brathwaite-Shirley, Skeptical, 2025. Archival Inkjet Print, 100 x 70 cm Courtesy the artist and NOME, Berlin
GALERIE NORDENHAKE
Spencer Finch, Decoys (green), detail, 2025, acrylic on custom birch plywood panels, 35.56 x 35.57 x 4.12 cm/ 14 x 14 x 1.625 in each. Copyright the artist. Courtesy the artist and Galerie Nordenhake Berlin, Stockholm, Mexico City. Photo courtesy of the artist.
GALERIA PLAN B
Serban Savu, Unknown Gods, 2025, oil on canvas, 153 x 195 cm. Courtesy the artist and Plan B Cluj, Berlin
NEUGERRIEMSCHNEIDER
Olafur Eliasson, The lure of looking through a polarised window of opportunities, or seeing a surprise before it’s reduced, split, and then further reduced, installation view: neugerriemschneider, Berlin, 2025. Photo: Jens Ziehe. Courtesy of the artist and
neugerriemschneider, Berlin © 2025 Olafur Eliasson
NOME
Danielle Brathwaite-Shirley, Skeptical, 2025. Archival Inkjet Print, 100 x 70 cm Courtesy the artist and NOME, Berlin
GALERIE NORDENHAKE
Spencer Finch, Decoys (green), detail, 2025, acrylic on custom birch plywood panels, 35.56 x 35.57 x 4.12 cm/ 14 x 14 x 1.625 in each. Copyright the artist. Courtesy the artist and Galerie Nordenhake Berlin, Stockholm, Mexico City. Photo courtesy of the artist.
GALERIA PLAN B
Serban Savu, Unknown Gods, 2025, oil on canvas, 153 x 195 cm. Courtesy the artist and Plan B Cluj, Berlin
PSM
Dirty Minimal #9.1 — Action-Painting / Postal Logistics Center (1992), Courtesy of the artist and PSM, Berlin. Image: Almut Linde
SCHIEFE ZÄHNE
Phung-Tien Phan, Trust Camp (normal), 2018
.
Chair, Chicco mobile, fly hood, chandelier pendants, rose twigs45 × 70 × 160 cm.
ESTHER SCHIPPER
Sun Yitian, Shelter Ⅵ, 2024. Acrylic on canvas, 57 x 57 cm. Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul. Photo © Sun Yitian Studio
GALERIE THOMAS SCHULTE
Lena Henke, 2025. Work in progress at Kunstgiesserei St Gallen. Photo: Emil Sandström, courtesy Lena Henke and Galerie Thomas Schulte, Berlin
PSM
Dirty Minimal #9.1 — Action-Painting / Postal Logistics Center (1992), Courtesy of the artist and PSM, Berlin. Image: Almut Linde
SCHIEFE ZÄHNE
Phung-Tien Phan, Trust Camp (normal), 2018
.
Chair, Chicco mobile, fly hood, chandelier pendants, rose twigs45 × 70 × 160 cm.
ESTHER SCHIPPER
Sun Yitian, Shelter Ⅵ, 2024. Acrylic on canvas, 57 x 57 cm. Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul. Photo © Sun Yitian Studio
GALERIE THOMAS SCHULTE
Lena Henke, 2025. Work in progress at Kunstgiesserei St Gallen. Photo: Emil Sandström, courtesy Lena Henke and Galerie Thomas Schulte, Berlin
SOCIÉTÉ
Video Still Marianna Simnett, Leda Was a Swan, 2024, Courtesy Marianna Simnett and Société, Berlin
SOY CAPITÁN
Melissa Joseph, 2 miles behind the chicken truck in Brentonville AR, 2023 61 x 43 inches. Needle felted wool on industrial felt. Photo by Paul Salveson
SPRÜTH MAGERS
Cyprien Gaillard, Retinal Rivalry (still), 2024. 3D motion picture, DCI DCP, dual 4k projection at 120fps, 2 Channel Audio, 29:03 minutes. © Cyprien Gaillard. Courtesy of the artist, Sprüth Magers and Gladstone Gallery
SWEETWATER
Megan Plunkett, Dracula Moon Money, 2025, Inkjet print on Canson Platine Rag, Courtesy the artist and Sweetwater Berlin
SOCIÉTÉ
Video Still Marianna Simnett, Leda Was a Swan, 2024, Courtesy Marianna Simnett and Société, Berlin
SOY CAPITÁN
Melissa Joseph, 2 miles behind the chicken truck in Brentonville AR, 2023 61 x 43 inches. Needle felted wool on industrial felt. Photo by Paul Salveson
SPRÜTH MAGERS
Cyprien Gaillard, Retinal Rivalry (still), 2024. 3D motion picture, DCI DCP, dual 4k projection at 120fps, 2 Channel Audio, 29:03 minutes. © Cyprien Gaillard. Courtesy of the artist, Sprüth Magers and Gladstone Gallery
SWEETWATER
Megan Plunkett, Dracula Moon Money, 2025, Inkjet print on Canson Platine Rag, Courtesy the artist and Sweetwater Berlin
GALERIE BARBARA THUMM
Roméo Mivekannin, After Édouard Debat-Ponsan, le massage: scène de Hammam, 2024, Acrylic and elixir bath on canvas. Courtesy of the artist and Galerie Barbara Thumm
TRAUTWEIN HERLETH
Puppies Puppies (Jade Guanaro Kuriki-Olivo)
Installation view, Nothing New, New Museum, New York. October 12, 2023 –March 3, 2024
WENTRUP GALLERY
Desire Moheb-Zandi, Soft Turns, 2025
Linen, lurex, rope, cord, cotton, filling, nylon, wood, wool, velvet, paper, synthetic threads,170 x 150 x 8 cm. Courtesy of the artist and Wentrup, Berlin. Photo: Nicolas Brasseu
MICHAEL WERNER
Frank Auerbach, Self Portrait, 2024. Acrylic on board. 51 x 45.5 cm. Courtesy Frankie Rossi Art Projects © The Estate of Frank Auerbach
GALERIE BARBARA THUMM
Roméo Mivekannin, After Édouard Debat-Ponsan, le massage: scène de Hammam, 2024, Acrylic and elixir bath on canvas. Courtesy of the artist and Galerie Barbara Thumm
TRAUTWEIN HERLETH
Puppies Puppies (Jade Guanaro Kuriki-Olivo)
Installation view, Nothing New, New Museum, New York. October 12, 2023 –March 3, 2024
WENTRUP GALLERY
Desire Moheb-Zandi, Soft Turns, 2025
Linen, lurex, rope, cord, cotton, filling, nylon, wood, wool, velvet, paper, synthetic threads,170 x 150 x 8 cm. Courtesy of the artist and Wentrup, Berlin. Photo: Nicolas Brasseu
MICHAEL WERNER
Frank Auerbach, Self Portrait, 2024. Acrylic on board. 51 x 45.5 cm. Courtesy Frankie Rossi Art Projects © The Estate of Frank Auerbach
KUNSTHANDEL WOLFGANG WERNER
Rissa, Flüsternde bei Nacht, Gouache and Ink, 36 x 48 cm. Courtesy: Kunsthandel Wolfgang Werner / Privatsammlung. Photo: © 2025 Archiv K. O. Götz und Rissa-Stiftung / VG Bild-Kunst, Bonn
BARBARA WIEN
Jimmie Durham: Various Shapes and Materials, 2009
Objects and text labels in a table display case Objekte und Textlabels in einer Tischvitrine 97×202.5x75cm. Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin. Photo by Nick Ash. © Jimmie Durham Estate
SCHAU, FENSTER im KaDeWE
John Miller, Dress Rehearsal for the Revolution, 2019. Courtesy John Miller, Meyer Riegger und Trautwein Herleth, Photo © Ludger Paffrath
SCHAU, FENSTER im KaDeWe
Isabella Ducrot, Big Bella Terra, 2024. Courtesy Isabella Durcrot und Capitain Petzel, Berlin. Foto©Ludger Paffrath
KUNSTHANDEL WOLFGANG WERNER
Rissa, Flüsternde bei Nacht, Gouache and Ink, 36 x 48 cm. Courtesy: Kunsthandel Wolfgang Werner / Privatsammlung. Photo: © 2025 Archiv K. O. Götz und Rissa-Stiftung / VG Bild-Kunst, Bonn
BARBARA WIEN
Jimmie Durham: Various Shapes and Materials, 2009
Objects and text labels in a table display case Objekte und Textlabels in einer Tischvitrine 97×202.5x75cm. Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin. Photo by Nick Ash. © Jimmie Durham Estate
SCHAU, FENSTER im KaDeWE
John Miller, Dress Rehearsal for the Revolution, 2019. Courtesy John Miller, Meyer Riegger und Trautwein Herleth, Photo © Ludger Paffrath
SCHAU, FENSTER im KaDeWe
Isabella Ducrot, Big Bella Terra, 2024. Courtesy Isabella Durcrot und Capitain Petzel, Berlin. Foto©Ludger Paffrath
SCHAU, FENSTER IM KaDeWe
24/7-Ausstellung in der Fensterfront des KaDeWe vom 22. April bis 10. Mai 2025
Foto: Ludger Paffrath
GALLERY WEEKEND BERLIN 2024
Installation view of Zwei Wölfinnen by Julius von Bismarck at Esther Schipper. Photo: Stefan Korte
GALLERY WEEKEND BERLIN 2024
Installation view of The Faker by Cosima von Bonin at Galerie Neu. Photo Stefan Korte
SCHAU, FENSTER IM KaDeWe
24/7-Ausstellung in der Fensterfront des KaDeWe vom 22. April bis 10. Mai 2025
Foto: Ludger Paffrath
GALLERY WEEKEND BERLIN 2024
Installation view of Zwei Wölfinnen by Julius von Bismarck at Esther Schipper. Photo: Stefan Korte
GALLERY WEEKEND BERLIN 2024
Installation view of The Faker by Cosima von Bonin at Galerie Neu. Photo Stefan Korte
GALLERY WEEKEND BERLIN 2024
Installation view of Rosa See by Tal R at Max Hetzler. Photo: Stefan Korte
GALLERY WEEKEND BERLIN 2024
Installation view of territory with Mire Lee, Liu Yujia, Gala Porras-Kim, Tan Jing, Zhang Ruyi at Sprüth Magers. Photo: Stefan Korte
Courtesy Galeria Plan B Cluj, Berlin Photo: Dacian Groza
GALLERY WEEKEND BERLIN 2024
Installation view of Rosa See by Tal R at Max Hetzler. Photo: Stefan Korte
GALLERY WEEKEND BERLIN 2024
Installation view of territory with Mire Lee, Liu Yujia, Gala Porras-Kim, Tan Jing, Zhang Ruyi at Sprüth Magers. Photo: Stefan Korte
Courtesy Galeria Plan B Cluj, Berlin Photo: Dacian Groza
