María José Arjona
SEDIMENTS: Sono-Choreo-Geo-Graphic Attainments / SEDIMENTOS: Sintonizaciones Sono-Coreo-Geo-Gráficas

5 JUL until 2 AUG 2025

How can movement be translated into text? What connects the act of capturing water in an image with the composition of sound? And what new relations emerge when fragments of a natural observation encounter a choreographic score?

Exhibition view: María José Arjona, SEDIMENTS: Sono-Choreo-Geo-Graphic Attainments / SEDIMENTOS: Sintonizaciones Sono-Coreo-Geo-Gráficas, 2025. Galerie Barbara Thumm, Courtesy of the artist and Galerie Barbara Thumm, Photo: Jens Ziehe

María José Arjona‘s (b. 1973, Bogotá, Colombia) exhibition presents an ongoing interdisciplinary project that the artist has been developing since 2022. Bringing together video works, sound compositions, drawings, scores, photographs, and a manuscript, the project investigates the politics of memory, movement, and coexistence. The variety in the media expression of the individual components of the presentation reflects Arjona’s artistic practice, which, as a performance artist, engages spaces of resonance and movement across multiple, simultaneous formal languages.

María José Arjona, All Possible Forests #4, 2022, Hahnemühle Photo Rag 308, 110 x 165 cm, Courtesy of the artist and Galerie Barbara Thumm

María José Arjona, Untitled, 2025, pencil and ink on Canson paper  90 g, 29.5 x 20.7 cm, Courtesy of the artist and Galerie Barbara Thumm

The works on view arise from Arjona’s long-term research into water, habitats, and acoustic ecologies across diverse geographical and political contexts. These include rivers such as the Magdalena, Guaviare, Palomino, Amazon, and Cauca in Colombia, the Hudson and Miami Rivers in the United States, and the Spree in Berlin. Her seven-part video composition Rio/River (2025) weaves together moving image studies from these sites with radically abstracted soundscapes. At times, the audio evokes birdsong or other traces of natural life, at others, it shifts toward the deep, reverberating tones of electronic sound. These layered explorations culminate in a body of work that is materially and conceptually fluid, embodying the artist’s interest in the interconnections between bodies, environments, and sonic ecosystems.

Exhibition view: María José Arjona, SEDIMENTS: Sono-Choreo-Geo-Graphic Attainments / SEDIMENTOS: Sintonizaciones Sono-Coreo-Geo-Gráficas, 2025. Galerie Barbara Thumm, Courtesy of the artist and Galerie Barbara Thumm, Photo: Jens Ziehe