Accurate Misreadings
With works by Camae Ayewa, James Bridle, Paolo Cirio, Cian Dayrit, Goldin+Senneby, Igor Grubić, Voluspa Jarpa, Kameelah Janan Rasheed and Dread Scott
11 SEP until 1 NOV 2025
Opening – 11 SEP 2025, 6-10 pm
As part of Berlin Art Week 2025, NOME is pleased to presentAccurateMisreadings, an exhibition thatexplores the layered, often unstable relationship between text, meaning, and interpretation.

Kameelah Janan Rasheed
(detail) Long Division II (Annotated), 2018 – 2025
Archival inkjet print, wood, glass, marker
79.5 x 54.5 x 3.7 cm
Courtesy the artist and NOME, Berlin.
“Reading is always an act of collaboration,” writes Umberto Eco, reminding us that meaning does notreside in the text alone, but rather emerges from the space between what is written and what is read. Every act of reading involves ambiguity, subjectivity, and choice. In this sense, interpretation becomes acreative process, and every reading generates its own version of truth.
Premised on the notion that language is inherently unstable, the exhibition brings together works thatexplore thefluidity of meaning through visual fragmentation, semantic layering, and acts ofappropriation. Directing the focus toward the reader, the exhibition highlights the temporal andsubjective nature of interpretation.

Paolo Cirio
Sociality US-9092805-B2, 2021
Archival inkjet print
42 x 30 cm
Courtesy the artist and NOME, Berlin.

Paolo Cirio
Sociality US-10042548-B2, 2021
Archival inkjet print
42 x 30 cm
Courtesy the artist and NOME, Berlin.
Other works in the show turn to the political dimensions of language. Several artists engage withbureaucratic documents, archival records, and algorithmic codes—forms of text historically used toregulate, exclude, and control. Through gestures of redaction, reconfiguration, and appropriation, theseworks reveal how meaning is often shaped by systems of power.

Kameelah Janan Rasheed
smooth operetta, 2022
Single-channel video, stereo sound, 6:05 min
Courtesy the artist and NOME, Berlin.